2016 Stellenbosch Triennale: Where Innovation and Tradition Collide on the Canvas

Art, much like history itself, thrives on tension. It craves the push and pull between opposing forces – the old guarding its territory against the audacious lunge of the new. The 2016 Stellenbosch Triennale, a vibrant showcase held in the heart of South Africa’s wine country, epitomized this exhilarating clash. Curated by renowned art historian, Pippa Skotnes, the event dared to question the very definition of contemporary African art while simultaneously celebrating its rich and diverse heritage.

Skotnes, a titan in her field, envisioned the Triennale as more than just an exhibition; she conceived it as a dynamic platform for dialogue, pushing artists from across the continent to confront pressing social issues through their creative lens. The result was a stunning tapestry of perspectives woven together by themes of identity, displacement, and belonging.

One cannot discuss the 2016 Stellenbosch Triennale without acknowledging the pivotal role played by its chosen venue: the historic Rupert Museum. Nestled amidst sprawling vineyards, this architectural gem provided an ideal setting for the juxtaposition of tradition and modernity.

Walking through the exhibition halls was akin to traversing a labyrinthine map of the African soul. Vibrant paintings by William Kentridge, exploring themes of colonial legacy and social injustice, shared space with thought-provoking sculptures by Mary Sibande, who used her art to challenge patriarchal norms and celebrate the resilience of Black women.

The Triennale wasn’t solely confined to visual arts. It embraced a multi-disciplinary approach, incorporating performance art, film screenings, and panel discussions. A highlight was the captivating performance piece by Athol Fugard, renowned playwright and social activist, which delved into the complexities of South Africa’s post-apartheid reality.

The 2016 Stellenbosch Triennale sparked conversations that extended far beyond the confines of the exhibition. It challenged preconceived notions about African art, showcasing its dynamism and intellectual depth.

Impact and Legacy:

The impact of the Triennale reverberated throughout the South African art scene and beyond:

• Increased international recognition: The event attracted a global audience, raising the profile of contemporary African artists and positioning Stellenbosch as a hub for cultural exchange.

• Empowering new voices: By featuring emerging artists alongside established names, the Triennale fostered a sense of inclusivity and provided a platform for fresh perspectives to emerge.

• Catalyst for social dialogue: The Triennale’s focus on addressing pressing social issues sparked important conversations about identity, inequality, and the future of South Africa.

Beyond its immediate impact, the 2016 Stellenbosch Triennale left an enduring legacy:

It underscored the power of art to bridge divides, ignite imaginations, and inspire positive change. The event served as a reminder that creativity, when harnessed effectively, can be a potent tool for social transformation.